Current psychological latitude: gratitudinal.
(Current linguistic attitude: I will fuck with you with love in my heart, language, baby. Now and forever.)
So many boats in my dreams, this last while. Boats and boats and then again boats. I like boats, always have (particularly those powered by muscle not motor), maybe as the result of having for a father a man who in his youth was a sailor or maybe as the result of my Piscean nature.
After the Alphabets
I am trying to decipher the language of insects
they are the tongues of the future
There’s no rational explanation for how much I love frogs. I mean, there might be a rational tidbitual oddment I could lay down for you but all the tidy, comprehensible bullet points in the world wouldn’t do justice to how deeply fascinated and charmed and shivered I am by those little half-blood princes, those darling swimmers who leave the water to tuck the soft green of themselves into the grass so they can lie in wait for me, so they can leap in ambush and make me bark a laugh of surprise at their ridiculous bodies, hurled up from the grass, bounced high, airborne.
It’s crazy-hot here now and it’s not even June yet.
Brokeny can be a good thing. Brokeny can be a thing I like, and often is.
It’s still in my head, the image from a lot of years ago, the image that came to me one day when I was sad and angry and roiled with all the awfulness of what had happened, when my worklife had become void, when the job I loved had been lost to me by bad behaviour not my own. Smashworld came and I fell down until the moment I got up and thought to make my own way, which I did and am doing and will do.
When the big tree came down, I lost the sound of water.
Because I love the sad and beautiful truth of nothing-can-stay.
If tomorrow I were to walk away to some other place, go live in a where that is not this where, the place I would go would have lots of snow and the house I would live in would be made of cold, a house of snow — or of-snow-adjacent.
You know how much I love words and the physical act of writing, how much I love the graphemic grace of the thing that is written? Yeah, you do. And you know how much I like holding a pencil in my hand and making marks on a paper with it — marks with meaning, I mean — and also how much I like reading a paper full of writing from someone else’s hand? Well, I like all that very much, you know I do, but I like something else too:
I don’t know about your little piece of the planet but here where I am there’s been a lot of greyworld and I’m not really an appreciator of greyworld, unless it’s mitigated by storm. Which it hasn’t been, here and now. So what can be done? One can give in to the grey and be taken down by it — opt for bed or heavy drink for weeks on end, except those are roads to ruin and I prefer to remain unruined for just a little longer in life.
Humanity is bad and terrible and capable of the most horrific acts of cruelty and venality. But oh my god, when a beautiful brain does beautiful brain things, it makes me remember that some of us are not only unbad and unterrible, but really fucking wonderful. What I’m thinking of here is this thing I found on the webs that are inter, this fabulous wonderful thing. To be precise, this thing:
I don’t know how it works, how to do the math, but it’s like every emotion I’ve ever felt somehow gets wrapped up in trees. Trees become some kind of conduit for thought and feeling, for understanding, for epiphany, for optimism, for love.
Sometimes I’m a romantic creature … okay, who’m I trying to fool here? … always I’m a romantic creature. Forever and ever I’ve been madly shivered up by the sweet gesture, small or large or somewhere in between. I have made those gestures and had them made for me and some of them have been over-the-top — whoa, Nelly, way up and way off the precipice of mad-for-you, with a celebratory shout of “For you are my beloved” — and some of them have been tiny and odd, discernible only to me and the person whose lips I wish to kiss.
In all the annals of object porn, there are no objects that incite greater lust in me than typewriters.
You know what I love? I love “yes”. I love “yes” so much, and so hard, and also its more boisterous adjutants “hell yes” and “fuck yes”.
This year, watching the Tour de France on TV, I heard one of the announcers say, “There’s the beautiful sunflower field” and it made me happy that, given all the manful muscling in the pelotonic tumult, he thought to mention that quiet golden place. Since then the words”There is the beautiful sunflower” have lodged themselves in my imagination in the inexplicable way certain words and phrases do from time to time, becoming something like a prayer or an offering or a streamer of solace unfurled the way a strand of birch bark can be freed from the tree.
Butcher’s charts take it all apart.
Sewing patterns put it all together.
The sundering and the reconciling … they interest me, both. I maybe love taxidermy because it requires both; I should maybe love the jigsaw puzzle more than I do, for the same reason.
Often I think of the poetry of objects
about the way a seam is resolved
or the way a spine grows
about the things we make with our bodies
and the bones from out of our bodies
You know, I’m not really a big fan of birds (the Byrds, yes, birds, no). Okay, truth be told, I find them horrible and creepy, more than is strictly reasonable — if in fact there’s a degree of finding-birds-horrible-and-creepy that could be characterised as “reasonable”. Mostly, of course, my distaste for birds doesn’t matter, doesn’t have an impact on my life — except when preparing a whole chicken for consumption. Yow. Now that is the stuff nightmares are made of. Mostly, however, I don’t think about birds or worry about birds.
The world spins on its axis, on and on and on, no matter who comes here or leaves here, no matter how happy or sad you are, no matter, no matter.
Oh. My. God. The happies, they are upon me.
I make playlists on my iPod and they’re often very theme-y because I am nothing if not a theme-y woman — I like to group and organise. I like to find patterns, or, in their absence, make them. Maybe that’s the curatorial urge. Or the librarian’s urge. Anyway, I have a playlist on my iPod called “river” and I listen to the songs on that playlist a lot, especially when I am despairing because those songs are very cathartic to hear and especially when I am all joyed-up because those songs are very cathartic to hear.