Because I love the sad and beautiful truth of nothing-can-stay.
So yes, I’m making a beautiful bookthing. It’s that wondermental thing known as: a labour of love.
You know how much I love words and the physical act of writing, how much I love the graphemic grace of the thing that is written? Yeah, you do. And you know how much I like holding a pencil in my hand and making marks on a paper with it — marks with meaning, I mean — and also how much I like reading a paper full of writing from someone else’s hand? Well, I like all that very much, you know I do, but I like something else too:
Dave Kinsey at Fecalface has a treat for you, me, and the lamppost:
If I had to categorise this unruly thing, I’d say it’s poemical, not polemical. It’s not really a blog about art, not in any sort of analytical way. I don’t take a stance; I’m neither critic nor academic. What I am, actually, is an unruly hoyden with a permanent case of chaoshead, a throbbing love-on for the made things of the world, and a hot ‘n’ saucy need to write things down, to write things out (as you’ll know if you’re one of the people I e-mail 972 times a week. [Hi, forbearing friends! Love ya! Smooches!])
In all the annals of object porn, there are no objects that incite greater lust in me than typewriters.
I like the notion of the skin being breached so that change can be rendered to the organism. I like the idea very much, altho’ I fully recognize the malarial reality of the wrong kind of puncture, the bleedout reality of the wrong kind of slice. But here in my metaphorical LaLaLand, sharp things are pretty things that are also agents of change.
You know what I love? I love “yes”. I love “yes” so much, and so hard, and also its more boisterous adjutants “hell yes” and “fuck yes”.
This year, watching the Tour de France on TV, I heard one of the announcers say, “There’s the beautiful sunflower field” and it made me happy that, given all the manful muscling in the pelotonic tumult, he thought to mention that quiet golden place. Since then the words”There is the beautiful sunflower” have lodged themselves in my imagination in the inexplicable way certain words and phrases do from time to time, becoming something like a prayer or an offering or a streamer of solace unfurled the way a strand of birch bark can be freed from the tree.
Butcher’s charts take it all apart.
Sewing patterns put it all together.
The sundering and the reconciling … they interest me, both. I maybe love taxidermy because it requires both; I should maybe love the jigsaw puzzle more than I do, for the same reason.
Often I think of the poetry of objects
about the way a seam is resolved
or the way a spine grows
about the things we make with our bodies
and the bones from out of our bodies
I think I think too much about clothes — mine, yours, his, hers, theirs, whoever’s. Because really? I think an awful lot about them. Like, an AWRFUL lot. Thing is, when the world is being beautiful, I don’t want to be a blight on it and when the world is being unbeautiful, I don’t want to add to the ick, so I end up thinking a lot about my clothes. And in my thinking, I also think this: I think style is an act of generosity. I think fashion is just merchandising. I think one is qualitatively superior to the other, by a lot, and in my mind it’s clear that the superior one is style.
Sometimes I feel like Reepicheep finally arrived at the edge of the world and sometimes I feel like I’m standing way up high on a tall place where I have to make a choice about whether I’ll step off and float away, or not.
Imagine if we could remove the mortar that holds all the disparate elements of our selves together. Remove it and fiddle the bricks of character around a bit and repoint, so that we could be remade. Or maybe that’s too drastic (altho’ I am a woman who likes the grand gesture) — it’s not a complete rebuild that interests me but the jimjummery of a rejig.
How to catch an octopus
by Patrick Widdess
Actually … actually … I’m a very bling-averse woman.
The carapace is a wonderful thing in its own right and I can celebrate its utility and its beauty — I can, I honestly can. But I never really forget that for all its protective value, it’s also a small, confined place, like a pedestal … or a prison.
Ice is nice. Okay, if you’re me, it’s more than nice.
I run. I like to run, a lot.
I love to run. Love it, with big crazy heartsing heartpound loveness.
I have seen the face of compromised sanity and it looks like Santa.
If you read here fairly regularly, you may have noticed I’ve been on a bit of a consciousness kick lately, posting about dream and nightmare, acid and ‘shroom. It’s a subject that’s still very much on my mind and, in my mullings, I have thought mightily about trepanation, not for the first time in my life. Good old trepanation is, as Wiktionary has it, “The practice of drilling a hole in the skull as a physical, mental, or spiritual treatment” and it’s an activity that first crossed my radar close to 30 years ago, when I read the book Eccentric Lives and Peculiar Notions by John Michell. In that book there is a whole chapter, “The People With Holes in Their Heads”, devoted to the subject. Now I’m not suggesting I’ll be taking the old drill to my own head (or anyone else’s, for that matter) any time soon, or even any time not-soon, but for all it’s absolute crazy, awful grossness, I’m deeply, weirdly compelled by it. I love Cynthia Girard’s poem “There is an insect” because I swear to god it’s about trepanation.
If you take away my periodic PMS madness and my 92%-of-the-time short fuse, I’m a pretty fun gal.
Sometimes I think it might be enough for the wild things of your brain to assert themselves sufficiently that instead of pretending they don’t exist, you have to turn your gaze to them, even if you can’t classify them. Taxonomy is good and useful — delicious, even — but maybe not always necessary. Maybe you don’t always have to be able to assign a clear name or narrative or meaning to a nightmare. Maybe the beast that rises from the deeps when you dream a dream like that doesn’t have to be a beast you recognise. Maybe not being able to speak the creature’s name is not only okay but an important component of baddreaming.