There’s no rational explanation for how much I love frogs. I mean, there might be a rational tidbitual oddment I could lay down for you but all the tidy, comprehensible bullet points in the world wouldn’t do justice to how deeply fascinated and charmed and shivered I am by those little half-blood princes, those darling swimmers who leave the water to tuck the soft green of themselves into the grass so they can lie in wait for me, so they can leap in ambush and make me bark a laugh of surprise at their ridiculous bodies, hurled up from the grass, bounced high, airborne.
when twilight grass looks the way velvet feels or the way warm smooth metal can seem in a dream
when you sit outside in a day that’s almost night and the fireflies arrive
all the other places you never know in daylight open out to you
there in the glow
You know how much I love words and the physical act of writing, how much I love the graphemic grace of the thing that is written? Yeah, you do. And you know how much I like holding a pencil in my hand and making marks on a paper with it — marks with meaning, I mean — and also how much I like reading a paper full of writing from someone else’s hand? Well, I like all that very much, you know I do, but I like something else too:
I don’t know about your little piece of the planet but here where I am there’s been a lot of greyworld and I’m not really an appreciator of greyworld, unless it’s mitigated by storm. Which it hasn’t been, here and now. So what can be done? One can give in to the grey and be taken down by it — opt for bed or heavy drink for weeks on end, except those are roads to ruin and I prefer to remain unruined for just a little longer in life.