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This year, watching the Tour de France on TV, I heard one of the announcers say, “There’s the beautiful sunflower field” and it made me happy that, given all the manful muscling in the pelotonic tumult, he thought to mention that quiet golden place. Since then the words”There is the beautiful sunflower” have lodged themselves in my imagination in the inexplicable way certain words and phrases do from time to time, becoming something like a prayer or an offering or a streamer of solace unfurled the way a strand of birch bark can be freed from the tree.
Also?

Often I think of the poetry of objects
about the way a seam is resolved
or the way a spine grows
about the things we make with our bodies
and the bones from out of our bodies

I think I think too much about clothes — mine, yours, his, hers, theirs, whoever’s. Because really? I think an awful lot about them. Like, an AWRFUL lot. Thing is, when the world is being beautiful, I don’t want to be a blight on it and when the world is being unbeautiful, I don’t want to add to the ick, so I end up thinking a lot about my clothes. And in my thinking, I also think this: I think style is an act of generosity. I think fashion is just merchandising. I think one is qualitatively superior to the other, by a lot, and in my mind it’s clear that the superior one is style.

Yellow! I don’t really like it, most of the time, and yet my favourite shoes in the whole wide world are yellow and I love it when a cool-toned garden is warmed by splashes of yellow and I think lemons are not only delightfully delicious as foodstuffs but delightfully delectable in every aesthetic aspect and I like looking at my bookshelves and seeing the yellow spines of Upside Down and Cheap Chic and A Prick Up Your Ears and What It Is and maybe now that I think of it I do like yellow, not as the object or the subject, mostly, but in small illuminating punctuatory doses.

The world spins on its axis, on and on and on, no matter who comes here or leaves here, no matter how happy or sad you are, no matter, no matter.

If you’re a bling-averse ladyperson like me, then you don’t give a fiddler’s foxtrot about jewellery and have spent precisely zero time in your life thinking covetously about shiny, sparkly gems.

How to catch an octopus
by Patrick Widdess

Here’s a thing I just realised. Chet Baker had it right: let’s get lost. That’s what running is, for me: a getting lost, the way you can get lost in very few things, maybe only love and sex and music and physical exertion and the way the air smells in the woods in the fall or the way a cold lake feels on your body when you jump in naked and let all that cold swirl across all your bare skin to leave you gasping and shuddering in a strange beautiful release that’s almost like the moment of orgasm, in the pleasure/pain aspect of it and also in the being completely present in your body aspect of it.

Actually … actually … I’m a very bling-averse woman.


If you take away my periodic PMS madness and my 92%-of-the-time short fuse, I’m a pretty fun gal.

Okay, so there’s this Canadian clothing designer, Natalie Purschwitz, who runs a small and very interesting operation, Hunt & Gather, out of Vancouver. A few months ago she got the genius idea to wear only clothes she has made herself, for a whole year, in a project she calls Makeshift. Makeshift, I find, is a very nifty notion, if not also a little daunting. (But of course most things worth doing are a little daunting.)

There’s something very appealing about metal that’s handled in such a way that it looks delicate, fragile, or ethereal.

I went to Ikea a couple of weeks ago with my friend Allysun. It was delightful, as trips to Ikea can be when you’re not there to make some big significant purchase (cos let’s face it, there’s more than a little truth to the old “Ikea: Swedish for ‘Out of Stock’” joke.) But this was a fun outing, no pressure, just cruise around with a friend, have a yammer, and enjoy the Ikean spectacle.

It’s a funny day where I am — coolish but muggy, which makes my straight hair curl up at the tips in a kind of wrecked and unruly way that I like — and the sky is mostly occluded by cloud but the odd bit of blue slivers through.
The backbone of the backbone.