So many boats in my dreams, this last while. Boats and boats and then again boats. I like boats, always have (particularly those powered by muscle not motor), maybe as the result of having for a father a man who in his youth was a sailor or maybe as the result of my Piscean nature.
After the Alphabets
I am trying to decipher the language of insects
they are the tongues of the future
when twilight grass looks the way velvet feels or the way warm smooth metal can seem in a dream
when you sit outside in a day that’s almost night and the fireflies arrive
all the other places you never know in daylight open out to you
there in the glow
I don’t know about your little piece of the planet but here where I am there’s been a lot of greyworld and I’m not really an appreciator of greyworld, unless it’s mitigated by storm. Which it hasn’t been, here and now. So what can be done? One can give in to the grey and be taken down by it — opt for bed or heavy drink for weeks on end, except those are roads to ruin and I prefer to remain unruined for just a little longer in life.
I don’t know how it works, how to do the math, but it’s like every emotion I’ve ever felt somehow gets wrapped up in trees. Trees become some kind of conduit for thought and feeling, for understanding, for epiphany, for optimism, for love.
In all the annals of object porn, there are no objects that incite greater lust in me than typewriters.
I like the notion of the skin being breached so that change can be rendered to the organism. I like the idea very much, altho’ I fully recognize the malarial reality of the wrong kind of puncture, the bleedout reality of the wrong kind of slice. But here in my metaphorical LaLaLand, sharp things are pretty things that are also agents of change.
This year, watching the Tour de France on TV, I heard one of the announcers say, “There’s the beautiful sunflower field” and it made me happy that, given all the manful muscling in the pelotonic tumult, he thought to mention that quiet golden place. Since then the words”There is the beautiful sunflower” have lodged themselves in my imagination in the inexplicable way certain words and phrases do from time to time, becoming something like a prayer or an offering or a streamer of solace unfurled the way a strand of birch bark can be freed from the tree.
Butcher’s charts take it all apart.
Sewing patterns put it all together.
The sundering and the reconciling … they interest me, both. I maybe love taxidermy because it requires both; I should maybe love the jigsaw puzzle more than I do, for the same reason.
Often I think of the poetry of objects
about the way a seam is resolved
or the way a spine grows
about the things we make with our bodies
and the bones from out of our bodies
I think I think too much about clothes — mine, yours, his, hers, theirs, whoever’s. Because really? I think an awful lot about them. Like, an AWRFUL lot. Thing is, when the world is being beautiful, I don’t want to be a blight on it and when the world is being unbeautiful, I don’t want to add to the ick, so I end up thinking a lot about my clothes. And in my thinking, I also think this: I think style is an act of generosity. I think fashion is just merchandising. I think one is qualitatively superior to the other, by a lot, and in my mind it’s clear that the superior one is style.
Yellow! I don’t really like it, most of the time, and yet my favourite shoes in the whole wide world are yellow and I love it when a cool-toned garden is warmed by splashes of yellow and I think lemons are not only delightfully delicious as foodstuffs but delightfully delectable in every aesthetic aspect and I like looking at my bookshelves and seeing the yellow spines of Upside Down and Cheap Chic and A Prick Up Your Ears and What It Is and maybe now that I think of it I do like yellow, not as the object or the subject, mostly, but in small illuminating punctuatory doses.
You know, I’m not really a big fan of birds (the Byrds, yes, birds, no). Okay, truth be told, I find them horrible and creepy, more than is strictly reasonable — if in fact there’s a degree of finding-birds-horrible-and-creepy that could be characterised as “reasonable”. Mostly, of course, my distaste for birds doesn’t matter, doesn’t have an impact on my life — except when preparing a whole chicken for consumption. Yow. Now that is the stuff nightmares are made of. Mostly, however, I don’t think about birds or worry about birds.
The world spins on its axis, on and on and on, no matter who comes here or leaves here, no matter how happy or sad you are, no matter, no matter.
Oh. My. God. The happies, they are upon me.
I make playlists on my iPod and they’re often very theme-y because I am nothing if not a theme-y woman — I like to group and organise. I like to find patterns, or, in their absence, make them. Maybe that’s the curatorial urge. Or the librarian’s urge. Anyway, I have a playlist on my iPod called “river” and I listen to the songs on that playlist a lot, especially when I am despairing because those songs are very cathartic to hear and especially when I am all joyed-up because those songs are very cathartic to hear.
Lately I’ve been thinking quite a bit about body hair, especially women and. I am intrigued by the fact that we live in a time where we aspire to near-hairlessness. It’s a lot of fucking pressure, is what it is, to be sufficiently depilated to please that body hair–governing cabal known as They. They are merciless taskmasters, for sure, because They are relentless about pushing the hairlessness agenda and making us feel ashamed if we don’t thread our eyebrows and wax our pits and pussies and pins to perfect glassine smoothness.
How to catch an octopus
by Patrick Widdess
Here’s a thing I just realised. Chet Baker had it right: let’s get lost. That’s what running is, for me: a getting lost, the way you can get lost in very few things, maybe only love and sex and music and physical exertion and the way the air smells in the woods in the fall or the way a cold lake feels on your body when you jump in naked and let all that cold swirl across all your bare skin to leave you gasping and shuddering in a strange beautiful release that’s almost like the moment of orgasm, in the pleasure/pain aspect of it and also in the being completely present in your body aspect of it.
When I grow up, I want to be a people. A people with antlers.
The carapace is a wonderful thing in its own right and I can celebrate its utility and its beauty — I can, I honestly can. But I never really forget that for all its protective value, it’s also a small, confined place, like a pedestal … or a prison.
Ice is nice. Okay, if you’re me, it’s more than nice.
If you take away my periodic PMS madness and my 92%-of-the-time short fuse, I’m a pretty fun gal.